The Starter Pack

What to read if you've never read Fourth Best before

The Starter Pack

welcome to the post-streaming age

There's a simple idea behind Fourth Best: new Irish music coverage for a post-streaming age. If you're wondering what on earth the post-streaming age even is, I reckon that after the mass layoffs at Spotify in late 2023, any hope that artists had for "breaking through" with streaming coverage completely evaporated. I wrote an article about this idea in a bit more depth over here:

notes on an algorithmic deterritorialisation: the Fourth Best view on streaming
Spotify has an algorithmically generated “daily wellness” playlist that’s just clips of meditation podcasts cut with generic-sounding lo-fi hip-hop beats and Bressie interludes. Its local coverage is almost entirely dead.

If you're curious about how this changing current affected one of my favourite Irish hip-hop albums of the last decade and left the artist behind it out to dry, have a read of my 2024 Album of the Year piece:

jarjarjr’s Catch the Dusk is the Fourth Best album of 2024
How far would you go to create a total work of art, when the world wants you to be something else? Catch The Dusk twists the rules of music’s zero-sum game – we must not let it be punished as a result.

As you can imagine, AI, scams, and the social media race to the bottom is making everything worse for artists on the come-up, feeding on the scraps of what's left of streaming. In what some people reckon is my best piece for the site, I followed one person putting AI music onto streaming platforms who had gotten attention from the likes of RTÉ and Nialler9 all to ask the big questions: how did we get here, where are we going, and most important of all: why?

music is what we want for our children – the fourth best view on ai
featuring: chats with AI artist “Kawaii Hoe” and the journalist who felt “duped” by them! north kerry noise! a björk quote! a niche trading card game! indonesian tiktoks! the choice music prize! techbro scum! over 8,000 words! charli xcx! 14% of all recorded music in history! JPEGMAFIA! father ted!

the outside world

I go to a lot of gigs and festivals and write about why they matter to me. These are the most fun to write, and I feel are the ones that stand out the best by themselves.

atn in review: do we just call it a victory lap?
a review of sorts about the All Together Now weekend; nothing new, but everything bigger than before
Féile na Gréine, unreal time & the festivals we deserve
Thoughts on the festivals I love, including last weekend’s phenomenal Féile na Gréine, and why I’ve gotten involved in the mammoth task of trying to build a new one.
the rooms I’ve been in lately
highlights of the year so far featuring Cold Summit, Peter O’Sullivan, Rita Lynn, OUCH™, and the many gigs that I wish I covered sooner
fuckin’ ‘diddly-diddly-aye’: assorted notes on Irish music at the end of 2024
Getting through some writer’s block with a good old-fashioned rant about an interview from 2019... although it’s a weirdly optimistic one. With praise for new music by Pippa Molony and RÓIS, among others.

drawing the map

One of the best things about Irish music is that I swear that wherever you start from, you can find a community of people behind it, all with their own unique spins and stories on the genre. In some of my pieces, I like to start with individual bits of art that I love and explore the wider world around them.

a price to pay - TCXL, Curtisy, Fynch, and The State of Irish hip-hop
We’re so back? From the Bandcamp tapes all the way up to the charts - maybe Irish hip-hop is better than ever? NUXSENSE has been operating at peak efficiency, dropping EP after EP of work that by right should skyrocket them into the international hip-hop underground, Kojaque and Nealo are
the Irish Hash Mafia and the scene’s twin futures
It’s a story about the tension between industry and DIY, between going global and putting your friends on, between NEW MUSIC OTW and unexpected zip file. Between major label, indie label, and just hitting upload.
trá pháidín in perpetual motion: best band in the country
The best band in the country already has three albums out. Trá Pháidín’s music strikes this absolutely gorgeous middle ground between post-rock, jazz and Irish traditional music. Under the surface, landscape, infrastructure and psyche combine.
Ian Nyquist’s Gilded is the Fourth Best album of 2025
Each year, Fourth Best recognises an Irish record that deserves a bigger place in the end-of-year conversation. It might not be the best album of the year. But it might be the fourth. Today, what the future sounds like, and the groundswell that will take us there, plus a brief trip to Cork.

the future of Irish music traces the future of Ireland

Ireland sits at a crossroads of social and economic pressures; a housing crisis sits beside a far-right that burns down buildings rather than see them shelter a foreigner. In some of my pieces, I like to look at music that reimagines what Ireland can be, offering some much needed hope in the darkness.

bás in éirinn
on the search for home in Irish music and the spectre of death behind its shoulder: “dead towns” and “dying cities”; what’s next for RÓIS and For Those I Love and my favourite Irish album of the year so far, Ithaca by Lullahush
i still see their marks that they left in the stone
the future of our past, fourth best’s original sin, a manifesto in reverse, and one of 2025’s best albums: Carving The Stone by For Those I Love

conversations with friends

Speaking with artists and revealing the stories behind their work, or with fellow journalists and writers to find where we go next.

in search of Old Earth 👴🏻🌍
reflecting on Rory Sweeney’s solo return to the boundary of the silly and the sublime, live on stage at the Button Factory in our second public Q&A of the year
a Painful conversation with Alex Gough
talking his debut album, the changing shape of curation, the value of events ranging from Clash at the Quays to Blue Niall’s Oisín. “I’m giving it five years: the thing a young person says is their favourite thing will be Irish. Without a doubt, they’ll say their favourite shit is from home.”
“I’m a silly-wave advocate. There’s beauty in the absurd.” – a conversation with Ahmed, With Love.
Meeting at the launch of the rapper’s mixtape “COMMA, FULLSTOP.”, we caught up about pro wrestling, Four Loko, the Irish Hash Mafia, dissing Jamiroquai, Brazillian influences, and more.
Nialler9 Podcast: “I was duped by an AI Musician” with Fourth Best
A follow-up to my recent exploration of the world of AI generated music
fourth best talks #1 | Future of Irish Music Journalism with Dylan Murphy at River Runs Round
In front of a live audience in Plugd Records at the River Runs Round festival in Cork earlier this month, I checked in with Dylan from Mabfield‬ as he prepares to re-launch the beloved Irish music platform. We talk about Irish music media and how to make Johnny Giles stop answering your calls.

the new meta

If you got this far, you might like my thoughts on what Fourth Best is and where it might go next:

on being the small-town critic
an interlude before the fourth best album of the year piece

A friend's advice on listening closely in the post-streaming age:

guest post: ‘one thousand one hundred and one’ by Matthew Xavier Corrigan
In the first guest post for the site, Matthew Xavier Corrigan reflects on five entire years of cataloguing the music he listened to, tracing an outline of the life he lived.

And some more assorted thoughts on what the pandemic taught us about how to build the archive:

a few sound heads with cameras make Limerick the world
Lessons about the power of the archive through the lens of important documentaries and COVID livestreams.

Take care. There's more to come in the new year.